Series

Two bodies of work

Quiet Voltage, 2026 — oil on canvas. A violet mountain landscape with luminous yellow-edged peaks, a pale moon and dark flowing foreground.

Landscapes as testimony

Earthspine

Across these paintings, the mountain becomes a witness: a site of endurance, memory and political presence. Built through shifting colour and layered gesture, these landscapes hold distance, fracture and the persistence of belonging.

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Firemark, 2026 — oil on canvas. A bust-length figure on a deep blue ground, the head painted in warm flesh tones with red and dark curling marks around the eyes, the shoulders and torso drawn only in thin yellow contour lines.

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Figures as testimony

Fleshline

These works approach the figure as a carrier of memory. Human and animal presences emerge through colour, gesture and distortion, holding vulnerability, defiance and the emotional residue of displacement.

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